Veena exponent Jayanthi Kumaresh wins over younger listeners together with her new reside present -OxBig News Network

Jayanthi Kumaresh performing on the Cup ‘o Carnatic show in Chennai’s Narada Gana Sabha
| Photo Credit: B. Velankanni Raj

What if a raga might unravel like a bedtime story, or a ragam tanam pallavi echo with laughter. Can humour discover area between a veena phrase and a ghatam beat? And what occurs when a centuries-old artwork type decides to look a toddler within the eye and say, “Come, listen”?

In Cup ‘o Carnatic, veena exponent Jayanthi Kumaresh dares to imagine just that. A world where Carnatic music is not only performed, but lived, spoken, questioned, and made delightfully human. Here, tradition doesn’t stand nonetheless; it walks hand-in-hand with creativeness, reaching out to the subsequent era with a mild, realizing smile.

Jayanthi with Giridhar Udupa on the ghatam and Pramath Kiran on the morsing and the tabla 
| Photo Credit:
B. Velankanni Raj

In Jayanthi Kumaresh’s palms, the veena turns into a seamless mix of music, theatre, storytelling, and visible poetry. On stage at Narada Gana Sabha lately, she just isn’t merely a performer, however a narrator, a instructor, and a companion to the viewers. Through her dialog with somebody particular, she bridges the gulf between the traditional and the brand new, the recognized and the curious.

The roots of this manufacturing lie in a deeply private second, when Vidhya, a disciple of Jayanthi and a mom of two, discovered herself struggling to convey the depth and pleasure of Carnatic music to her younger kids. In search of a medium that might bridge custom and comprehension, she approached her guru with an concept: might the core ideas of Carnatic music be shared in a approach that was each participating and age-appropriate? This seed of a query blossomed right into a digital collection on YouTube, Cup ‘o Carnatic, which has been operating for over seven years. These bite-sized episodes, wealthy in music and dialog, discovered resonance with dad and mom, educators, and college students alike.

The present is a singular mix of music, narration and animation
| Photo Credit:
B. Velankanni Raj

Inspired by this sustained digital engagement, the concept to carry Cup ‘o Carnatic to the stage took shape, not merely as a live extension, but as a transformative experience. The live stage version made its debut in Bengaluru and then travelled to Chennai.. With its unique blend of animation, narration, and live performance, the show dares to collapse the boundaries between the performer and the audience, between digital and live, between tradition and experiment.

Keerthi Kumar’s graphics and lighting design elevate the expertise . Upasana Govindarajan’s hand-drawn illustrations, woven into the visuals, frames the narrative like a dwelling storybook, The musical assist is equally considerate. Giridhar Udupa on the ghatam and Pramath Kiran on the morsing and the tabla present a responsive and understated rhythmic layer.

During a post-performance dialog, Jayanthi stated, “We tested every joke on our students. If it made them laugh, we knew it had to be included.” The present is wealthy with light humour, the type that eases the listener in, particularly the younger.

The manufacturing took near a 12 months to conceptualise and refine. “We wanted to do it right. To reach out to the next generation rasikas, we have to opt for formats they would love,” says Jayanthi, who plans to take the present throughout the globe.